The original The Evil
Dead in 1983 blew audiences away by sheer unrestrained gore factor pumped
up to an absurd degree at the hands of a real talent of a director showing off
just what he was capable of. In 2013,
given the fact that like fare as Saw
and Hostel had no trouble at all
getting into multiplexes, and we're even comfortable with zombie fare that'd
put Lucio Fulci to shame on the TV
these days, the new Evil Dead has
quite a few burdens against it. The
legacy of the series is a pretty big bar set to begin with, but one must add to
that the fact it's gotten a lot harder to shock us these days. Well, this remake certainly gets the gore
level down, it's the (forgive the term) execution that's the issue.
Mia (Jane Levy) is
a drug addict trying to go cold turkey once again, and this time, her brother David
(Shiloh Fernandez) and three of
their friends are with her for this in the family cabin in the woods. But it's soon discovered that someone else
has been recently been in the cabin and left a few things in the basement. One of those things is a ancient book, bound
in flesh and skin and with warnings like "Do not read aloud" scrawled
over it; guess what friend Eric (Lou
Taylor Pucci) thinks would be a really good idea...
As you may tell from that, there's a bit more plot active in
this version than the original, and the idea of paralleling a demonic
possession with drug addiction/withdrawal is actually quite interesting and has
some real potential. Unfortunately, this
comes to naught as that set up is really there purely for the sake of keeping
the characters from trying to flee the cabin earlier in the film. A lot of the character conflicts and points
set up in this section either contribute very little in the long term or
ultimately turn out to be complete dead-ends.
Also, few of the characters are that likeable mainly because of how grim
and serious everyone is all the way through, never giving us a proper moment of
levity to really let us get attached to them.
Of course, the big question here, especially given the
gruesome red band trailer that got the entire internet paying attention a while
back, is how is the gore factor? Well
this is definitely one of the most excessively gory major studio releases in
quite a while, a real testament to the effects team and quite a test of one's
stomach. There's a big problem though;
apart from some good sound design (especially notable in one icky segment), for
the most part the gore effects are the only thing the film has going for it in
the horror department. There's little
atmosphere, very few of the tension building moments work, it has no quiet scenes to let
the audience get their breath back, all it really has is the gore and shock
value. What's more, some of the big gore
scenes have no real consequences in the long run, making them feel rather
pointless and superfluous. As such, it
actively numbs you to what's going on; by the end, it's hard to care, which
considering the sheer level of carnage and insanity is really surprising and in many ways worrying when you think about it.
We'd had a pretty good remake of the first already!
One personal disappointment for me at least was the occult angle has been somewhat homoginsed. There's a trope on TVTropes called "Hijacked by Jesus", where stories based around non-Christian religions or mythology often get most of their iconography rewritten in either Judeo-Christian terms (like making Zeus and Hades expys of Jehovah and Satan) or outright making them the Christian versions. That's happened in here, as the Book of the Dead has gone from a Sumerian book of burial rights with some really neat artwork and creature designs within, to a blatantly Satanic tome complete with usual goats and pentagram iconography, which looks far less scary. Worse, it does lead to a moment of unintended hilarity as at one point two characters are talking about the book, in direct reference to the Evil One, who unfortunately, given the illustration shown, doesn't seem too threatening as it looks like he's wearing a birthday cake on his head. (At the screening, I so tried hard to not giggle at this!).
The final issue is that it's paced really awkwardly with a
"cold open" that serves little real purpose other than having some
more carnage earlier (and actually adds a few plot holes), and a build up to a
big final confrontation that's really underwhelming. Every time the film really needs to do
something new and pull some new tricks out of the bag, it just falls back on stuff it's done before (the aforementioned
underwhelming climax is particularly guilty of this, apart from one detail purely there to have more consequence free blood on screen). This is also coupled with a few plot twists towards the end that will have you going "wait a minute; how the fuck does that work, why are they... what?". What's more, there're various moments when it
seems like the film is playing more to Evil
Dead fans than a more casual audience (especially a really self indulgent
final post-credits shot, that I will admit though I did smile at). There are
various references and shout outs to the original throughout, but they aren't
woven in well and stick out awkwardly, making many wonder "what was the
point of having that there?", like how the traditional
"shakycam" shot makes a very half hearted cameo.
"What was the point of that" sums up a lot about
this film. The effects, more than decent
direction and quite good performances from Jane Levy and Lou Pucci Taylor keep
this just above average, but there's still a big sense of "so what"
over most of it. Sam Raimi's Evil Dead
was very open about it being like a ghost train ride or a campfire story, there
was a playful touch to things that encouraged the audience to have fun with it,
and the sequels took that further. This
one is just excessively grim and nasty throughout with what little humorous
touches there are buried beneath excessive Kensington Gore and swearing (seriously, the Deadites are real potty-mouths in this one, their dialogue sounds more like Regan from The Exorcist than The Evil
Dead for the most part). It's still
above par for horror remakes, this isn't a Platinum Dunes production after all (thank Kandar!),
and it's worth seeing on the big screen (though only a matinee price one) with
friends, but it's definitely not "The most terrifying film you will ever
experience" the posters are saying.
You can have some fun with this one though; take that trailer at the top, play it with the sound muted, and with the end theme from the original playing at the same time (start the music at about ten seconds into the trailer, the first shot of the cabin). It works surprisingly well!
Oh, and the original film's most shocking moment; you know, the one that, as Bruce Campbell himself said "We lose about thirty percent of the women in the audience here; not sure why- oh right!"? Yeah, that's recreated in here, except this time I think it's even worse in a lot of ways.
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