Since we lost this year a couple of favourite actors of mine, I thought I'd include a trailer featuring the two of them together, as a sort of combined mini tribute. So in loving memory of David Warner and Angela Lansbury, this is 1984's The Company of Wolves.
Friday, 4 November 2022
Thursday, 10 September 2020
Trailer of the Week - Theatre of Blood
Getting back into the blogging saddle again, so amongst other things, we're doing this again! However, there is a sad reason for this week's choice. Today we all received the terrible news that legend of stage and screen Dame Diana Rigg has passed away aged 82. She has had a huge, notable career; in recent years she gained a whole new legion of fans for the part of Oleanna Tyrell in Game of Thrones, however she first became a household name thanks for her role of Mrs. Emma Peel in The Avengers. Taking over as Honor Blackman had departed the role of Cathy Gale, she instantly became a true icon of a character, not least for her fashions. (Fun fact comics fans; one particular episode of The Avengers, A Touch of Brimstone, was a big influence on The Dark Phoenix Saga in the X-Men, down to the outfit Rigg wore). She then followed that up with her role as Tracey in On Her Majesty's Secret Service; not just a Bond girl though, this was the one that 007 actually fell in love with, and with Rigg in the role, you can believe why. The ending of OHMSS still knocks me for six to this day, it's my favourite of the whole series. She had a whole bundle of great roles over the years, including a few wonderfully OTT turns, like in The Great Muppet Caper and Evil Under the Sun. To pay tribute to her, I'd like to reference a personal favourite of mine, one where it's clear she's having the time of her life in the part; 1973's Theatre of Blood...
Wednesday, 30 October 2019
#Blogtober 30 - Trailer of the Week - From Beyond the Grave
Wednesday, 23 October 2019
#Blogtober 23 - Trailer of the Week - The Mutations (aka The Freakmaker)
Thursday, 17 October 2019
#Blogtober 17 - Trailer(s) of the Week - Elm Street Oddities
Thursday, 10 October 2019
#Blogtober 10 - Silly Movie Trailer of the Week - Bloodbath at the House of Death
Thursday, 3 October 2019
#Blogtober 3 - Trailer of the Week - Intruder
Thursday, 19 September 2019
Silly Movie Trailer of the Week - Nights of Terror/Burial Ground/The Zombie Dead/Zombi Horror
Friday, 13 September 2019
Bonus Trailers - Commemorating Breakaway Day
Thursday, 12 September 2019
Trailer of the Week - The Shining
Sunday, 1 September 2019
Trailer of the Week - Drop Dead Gorgeous
Saturday, 24 August 2019
Trailer of the Week - Train to Busan
Monday, 19 August 2019
Trailer of the Week - Spider-Man: Into the Spider-Verse
Sunday, 11 August 2019
Trailer of the Week - Electric Boogaloo: The Wild, Untold Story of Cannon Films
Sunday, 4 August 2019
Trailer of the Week - Evil Under the Sun
This was the second outing for Peter Ustinov as the Belgian Sleuth, after Death on the Nile in 1977, and like that one the script was done by Anthony Shaffer, who also wrote The Wicker Man, and more relevant to this genre Sleuth. It follows the path of the book well, with the main changes being the tone (it's another Guy Hamilton film, so high camp is the order of the day!) and the location. The 1941 novel was set in Devon, and was based on a real hotel, Burgh Island, which I'd like to go to some time. In fact, when this story was adapted for the Poirot TV series, they filmed at that hotel, using all the authentic details, like the weird tractor thing you have to use to get there when it's high tide. This film on the other hand takes place in the Adriatic sea, near a Tintin-style made up country (ooh, another famous Belgian!). It was filmed in Majorca in Spain, and whatever else you can say about this one, it looks gorgeous, the locations are superb. Hamilton was rather limited by the English village surroundings in The Mirror Crack'd, here he's playing to his strengths.
As I said, a Guy Hamilton film means a larger-than-life style (look at his Bond films!), and this cast is no exception. It's a fantastic group of performers in and of itself (James Mason, Sylvia Miles, Roddy McDowell...), but they all seem to be having a ball and letting loose. There's a centre-piece moment of Diana Rigg and Maggie Smith singing a duet of a Cole Porter number, which is basically a polite way of telling each other to go f*** themselves, and it is glorious to watch. The main mystery itself is a little bit rushed, although that may be because the film ditches a few red-herrings and such from the book, it streamlines the plot, which is fine when making a story feature length. Also, the ending is a prime example of "the evil voice" principle in these mysteries, including milking the reveal to a ridiculous degree. That's this film in a nutshell, it takes the humour up to almost an absurd level, but remembers that it has to deliver a satisfying whodunnit, so it knows when to reign things in, and importantly the murder itself is no laughing matter. I do have a lot of fun with Ustinov's Poirot films, and whilst I think Death on the Nile is the better film, I think I enjoy this one more, if that makes sense. I am curious to check out the TV films he did as Poirot though, especially as one of them includes David Suchet in the cast.
Bonus Trailer, here's a TV spot for the film, with some more of Ustinov talking to the audience as Poirot directly. I love the way he pronounces "Rated PG"!
Sunday, 14 July 2019
Trailer of the Week - The Mirror Crack'd
Sunday, 7 July 2019
Trailer(s) of the Week - The Miss Marple Quartet
Now let's get something clear; Dame Margaret Rutherford's Miss Marple is very different to the version in Christie's original books. In the novels and short stories, Marple was the sort who could quietly sit by the sidelines, and get a good overview of events, often not getting too stuck in herself directly until the end. That's definitely not how Rutherford does things; her Marple is all too keen to get stuck in up to her arms in the mysteries, often personally calling out the guilty parties herself. Both takes work for their versions though, so this not being faithful to Christie is far from a deal breaker. If you want to watch a more faithful take, look up the BBC version from 1984 to 1992, starring Joan Hickson in the role.